Tag Archives: grace

Effecting the Transcendent

(I would like to thank Paul Newall and Dr. William T. Clark, III, for taking the time to read through the various versions of the thoughts and expressions contained herein (originally posted as The Thin Red Line: Grace in the … Continue reading

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The Thin Red Line: Grace in the midst of war?, Part 12 of 12

(Continued from Part 11) 12. Some additional thoughts In Witt’s response to Fife, Bell saw grace in the midst of war. But it was just a moment, and the question remains: How is that transcendent love we know as grace … Continue reading

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The Thin Red Line: Grace in the midst of war?, Part 11 of 12

(Continued from Part 10) 11. Grace: transcending transcendent responsibility Bell is frozen in awe as he looks at Witt. Bell has seen through the world of appearances and perceived a great goodness which he had never before noticed – not … Continue reading

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The Thin Red Line: Grace in the midst of war?, Part 3 of 12

(Continued from Part 2) 3. Witt amongst the Melanesians We first meet Pvt. Witt dressed in remnants of what had been military fatigues and living in the midst of Melanesian islanders. Melanesian life as presented is idyllic; it is as … Continue reading

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The Thin Red Line: Grace in the midst of war?, Part 2 of 12

(Continued from Part 1) 2. The problem of the transcendent By juxtaposing the way of grace and the way of nature, Terrence Malick’s The Tree of Life enlivens the sense that grace is something transcendent, a matter of other-worldliness. Grace, … Continue reading

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The Thin Red Line: Grace in the midst of war?, Part 1 of 12

1. Introduction The appeal of movies such as The Thin Red Line and The Tree of Life is generated predominantly by their serious concern with the matter of transcendence. Transcendence is commonly conceived of in terms of there being a … Continue reading

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The Tree of Life and The Way of Grace

Abstract. Terrence Malick’s movie, The Tree of Life, suggests a stark contrast between the way of nature and the way of grace. At first, this contrast – but especially its starkness – seems to set the context for a choice … Continue reading

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